Rousing today’s zeitgeist, Cameran can best be described as encapsulating the sonic blend of Jack Kerouac’s contagious zest for life and Yves Klein’s wild and reckless attempts of jumping out of windows, experiencing movement through air. Subtly, silence and controlled detonations are carefully arranged, communicating in such a way that a dynamic tension is generated, working similarly to a dialectic screw that moves straight up in time and space releasing the synthesis between the two opposing poles – the quadrature of the circle.

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