Algirdas Martinaitis is a true type of a romantic creator also in his heart, and remains being such in spite of his recent digressions. Back in the late 70's, when he made his debut together with the like-minded composers of 'neo-romantic' generation, his nature-inspired chamber compositions were distinguished for their exceptional poetic sensibility and deep emotional impact. This 'nature cycle' culminated in Cantus ad futurum (1982) – chamber cantata-concerto, acknowledged as one of the most important works in Lithuanian music of the late 20th century...

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