Alto saxophonist Joseph Jarman headed a sextet (with tenorist Fred Anderson, piano, trumpet, bass, drums) for one of the pioneering works of the AACM, Song For (october 1966). Its 14-minute Non-Cognitive Aspects of the City and 13-minute Song For were typical of the soundsculpting aesthetic that was being created. Jarman, who often employed multimedia presentations (particularly poetry and dance), based the former on a poem of his, and conceived the latter as an exploration of empty space.

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